Isle of Wight Festival 2018

Whoever’s decision it was – whether it was new owners Live Nation, promoter John Giddings, or indeed Solo Music Agency – to move the Isle of Wight Festival to Glastonbury weekend, it turned out to be a masterstroke. Not only was the sun blazing for four days straight with not even a sign of any clouds, let alone rain, but it was one of the busiest Isle of Wight weekends since its reformation back in 2002, as seemingly everyone filled the fallow year void across the Solent.

Celebrating the 50th anniversary of the very first year back in 1968 (which saw the likes of Jefferson Airplane, T. Rex and Fairport Convention flock to the island), this year too had a suitable amount of legends in the form of Nile Rodgers, Van Morrison and Depeche Mode, as well as enough new music to keep it feeling as fresh and vital as ever. One thing the Isle of Wight Festival has always done well is straddle generations, as well as genres, and this year was no different. Like so few festivals, the age range must have stretched from five to 80, and everyone was there for a good time.

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The Wombats – Interview 2018

Named after the Australian marsupial, but born at the Liverpool Institute of Performing Arts, The Wombat are one of the most successful British bands of the last decade or so. Matthew Murphy (‘Murf’), Tord Overland-Knudsen, and Dan Haggis have just released their fourth album, Beautiful People Will Ruin Your Life, their third consecutive top five album, and it’s full of their trademark bouncy indie-rock, causing many a grown person to leap around like a 12-year-old. Murf took some time out to chat with Brightonsfinest.

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The Wombats – Beautiful People Will Ruin Your Life

It’s been 11 years since The Wombats first record, the generation-defining The Wombats Proudly Present… A Guide to Love, Loss & Desperation, which first came out in the mid-00s era of explosive indie guitar bands. Now on their fourth record, and with another lengthy name, Beautiful People Will Ruin Your Life continues their foray into the poppier side of indie-rock, following 2015’s Glitterbug.

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