Jenny Hollingworth and Rosa Walton are still only 19, and have just released their second album, I’m All Ears, the follow-up to their stunningly inventive debut I, Gemini, which was written when they were aged 13-15, and was finally released just over two years ago. Born and bred in Norwich they first got to know each other when aged just four. “We used to draw together,” laughs Rosa, “and do other creative stuff and make short films together.”
It’s immediately apparent from the atmospheric instrumental opener ‘Whitewater’, which features some quality distorted cello playing from Jenny, that Let’s Eat Grandma’s second record, I’m All Ears, is a significant step up from their debut, at least in production terms. That first record, I, Gemini, was written and recorded when Rosa Walton and Jenny Hollingworth were precocious young teens: the two girls met when they were four and began making music together at 13. It was surprisingly cohesive, considering their youth, and their naive, unusual perspective turned up surprising depth and a unique sense of humour within pop. This follow-up strips away a lot of the musical idiosyncrasies, which, to some, will have come across as inconsistency, but to many were a massive part of the charm.
To paraphrase that Marmite film classic, the streets were alive with the sound of music! Over three long days and nights, Brighton did truly come alive as The Great Escape juggernaut rolled into town for its 13th edition. The festival for new music saw over 500 acts playing in 40-odd venues, representing countries from all around the globe. If you add in the The Alternative Great Escape, and the plethora of events and pop-up performances arranged off the back of TGE and AGE, you’re looking at closer to 1,000 acts in 80-odd venues. Yes, it was mad, but glorious. Helped along by some beautiful mid-May sunshine, somehow within all the chaos, Brightonsfinest were out in force, documenting, commenting, and enjoying what we like to do best. Watch live music.
So, brace yourself. If you were there, hopefully memories will be stirred. If you weren’t, dive into our thoughts about the state of new music, and check out our many recommendations.
Back for its 13th year, The Great Escape is the premier showcase in Europe for new music. Over three days and nights, Brighton is host to 450-plus acts playing over 30 venues, from around 20 countries. You won’t have heard of many of these acts, but quality and potential is the name of the game here. Along with a few fairly established names, the bulk of the bill is made up of acts who have shown their talent, and are on the cusp of bigger and better things. It is a fabulous opportunity to check out new music, covering almost all genres known to man. Alongside The Great Escape, there’s The Alternative Escape, which also features a wealth of stunning new talent, and The Great Escape Convention, where many of the music industry’s movers and shakers congregate to check out the talent, and do a spot of networking and deal making. For three days in May, Brighton truly is the place to be! To help you get a grasp of what is out there, we asked various Brightonsfinest contributors, along with some industry players, to give us the lowdown on who they are looking out for.