Haley – Rialto Theatre, Brighton – 11th November 2018

“This is my favourite city”, gushes Tiger Lion’s Clementine Blue in her alluring French accent. Dressed in a pale silk kimono which sets off her perfect red curls, she looks every inch the intense electronic goddess that she is. The two guys with her on guitar and drums look slightly less passionate but ably accompany her purest vocal, as does the sampling box she uses to add variety and depth to their songwriting. Obvious influences are St Vincent and Tame Impala, but also classic painters – Blue is a visual artist herself and cites Hokusai’s famous Prussian blue as another inspiration for their new single ‘Black Sea’. Although this all sounds a bit pretentious, Tiger Lion champion brooding and atmospheric tunes that should put them yet more firmly on the map in Brighton’s gig scene, a fact Blue may be particularly grateful for. Her manner is confident yet modest, which, combined with a strong sense of identity, means that there is something compelling about them. “We’ve got two songs left”, she says, before looking at the promoter to check. “Haven’t we?” It appears not as she then turns to her bandmates to tell them that’s it. What a shame that the set was cut short. We shall look forward to the next time. Merci beaucoup.

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Haley – Pleasureland

To the casual follower of Haley Bonar (real name Haley McCallum), a fully instrumental album like Pleasureland will seem like it has come out of left field. However, in truth, the clues were there as far back as 2011’s debut Golder with its moody instrumental pieces hidden away inside. This album, released as the punchier Haley, takes that inclination to its logical conclusion, offering a fascinating and atmospheric view on the world.

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