The Green Door Store always smells of incense. The quirky venue, all raw brick and uneven flooring, somehow goes hand-in-hand with the bands billed, something cosy and familiar about being in the intimate setting. For a sold out evening mid-week, it’s not too busy when Psychic Markers get going. Apparently they have played a few dates on this tour already and are tired so the quietly judging atmosphere of the audience might be a welcome break or it might be intimidating. It’s hard to tell what they make of it really. Starting with as much energy as they can muster, they look and sound like a seasoned indie-rock band. Singer Stephen Dove has killer cheekbones and cuts a similar figure to the Thin White Duke or even Jarvis Cocker due to his Northern accent, while lead guitarist, Leon, looks appropriately attired with striped top and thick rimmed glasses. Also in the Bella Union stable, their strongest tracks are the newest in the set, such as the experimental ‘Clouds’, though older ones like ‘200 Thousand Years Ago’ and the vastly repetitive ‘Hardly Strangers’ are more than danceable, the chanting vocals of the latter lending a 70s Iggy Pop feel to the occasion. Psychic Markers may be a bit lacklustre during this particular performance – perhaps due to the unexplained absence of their female member – but there remains something intriguing about their musical melting pot that is definitely worthy of attention when they’ve caught up on their beauty sleep.
The best music seems to manifest out of periods of struggle. If an artist experiences hardship, then a great number of times this negative energy will be used to create something masterful on a sonic level. Brian Christinzio, otherwise known as BC Camplight, is an American songwriter and multi-instrumentalist who has managed to create one of the better records of his career through a nightmarish period in his life.
BC Camplight is set to release his second album for Bella Union, Deportation Blues, on 24th August. An exhilarating, dynamic document of calamity and stress, relayed through richly melodic and bold arrangements spanning singer-songwriter classicism, gnarly synth-pop, ‘50s rock’n’roll and various junctures between.
Back for its 13th year, The Great Escape is the premier showcase in Europe for new music. Over three days and nights, Brighton is host to 450-plus acts playing over 30 venues, from around 20 countries. You won’t have heard of many of these acts, but quality and potential is the name of the game here. Along with a few fairly established names, the bulk of the bill is made up of acts who have shown their talent, and are on the cusp of bigger and better things. It is a fabulous opportunity to check out new music, covering almost all genres known to man. Alongside The Great Escape, there’s The Alternative Escape, which also features a wealth of stunning new talent, and The Great Escape Convention, where many of the music industry’s movers and shakers congregate to check out the talent, and do a spot of networking and deal making. For three days in May, Brighton truly is the place to be! To help you get a grasp of what is out there, we asked various Brightonsfinest contributors, along with some industry players, to give us the lowdown on who they are looking out for.