Bristol’s band of the moment Idles, have captured the imagination in a way few have been able to do in recent times. In lead singer Joe Talbot they have a lightning rod for some of the most pressing and talked about malaises of these times; men’s vulnerabilities being at the top of the list, along with fear of immigrants, stoked nationalism, toxic masculinity, and class warfare. Celebration and communion are at the heart of Idles, in a way that Killing Joke epitomised at the height of their powers in the 80s; a kind of open-armed tribal-punk catharsis, that pulls zero punches. With a roaring, groove-based post-punk band behind him, Idles are one of the best live acts around, as they mesh up Swans, with Birthday Party and The Fall, and transport this to the 21st century. They were able to transcend splintering genres to sell out this gig in one day, and next year’s follow up at the Dome, also in almost no time at all. A remarkable band for these extraordinary times.
It has been one hell of a year. From the influx of thousands of artists during festival season to watching many of our most-loved Brighton bands bloom into genuine world beaters, 2018 has been an incredibly successful year for music locally. Our Brightonsfinest writers now look back over the past 12 months to remember their highlights on record and in the live sphere as well as the ones we missed.
For someone who was lacking confidence in her voice until her early 20s, Anna Calvi displays no lack of confidence on the live stage in the here and now. Nor does she lack any confidence it seems with her inventive guitar playing, or her stage persona in general, as she more than amply demonstrated here with this stunning show.
"It was at the Grey Horse in Kingston," says Anna Calvi about her first public performance. "I remember I played 'Purple Haze' by Jimi Hendrix. I wasn't singing, but I remember it gave me such a buzz. I think it ups the stakes as a performer when you're playing in front of people. You're wanting to take more risks, and you want to push yourself further. I think I had that from the very first time I played on stage."
“I have long felt frustrated at the limitations of what a woman is allowed to be, on a very basic level,” Anna Calvi says about the main concept behind Hunter, her third album. “Perfect, smiling, accommodating. Why do I have to live up to these ideals because of my anatomy?”