Influenced by the likes of The Birthday Party, Gang of Four, Orange Juice and The Fall, The Wedding Present soon developed a distinctive sound; super fast rhythmic guitar combined with a wall of aggressive noise or some jangly moments, along with almost invariably witty and colourful lyrical narratives, For the earlier part of their career they were at the vanguard of the 'indie' scene, additionally taking on board some American hardcore and punk influences, with the result that The Wedding Present, helped along by Gedge's distinctive baritone voice, had created a fresh and invigorating sound, a style that was later borrowed by the likes of My Bloody Valentine, whose fast rhythmic songs and wall of noise bear more than a passing resemblance.
"It's got a dull origin," claims Stephen Brett, lead singer, songwriter and guitarist with the band, "but at the time Jeff Buckley's 'Grace' was everywhere, and there's a track on there called Mojo Pin. His music caught the imagination of many people, and at the time I was obsessed by who he was and his music."
Stephen has just become a father, and inevitably the conversation takes a detour down that route as it is obviously something that now demands much of his time… "He's adorable, I love it, and I feel a complete addiction to him," he beams.
Since 2006 The Great Escape has established itself as Europe's leading showcase festival and music industry convention, featuring over 350 artists from around the globe over three days. About 35 venues are used including unusual locations such as museums, the beach shop fronts and hidden spaces. In all there are 650 live performances, attracting 13000 music fans and 3000 music industry delegates. The City is alive with the Sound of Music!
Running alongside The Great Escape is The Alternative Escape, which features even more bands and artists representing labels, agencies, promoters and management companies from Brighton and around the UK. Some of the acts play more than once, on both the main Great Escape and the Alternative Escape bills over three days.
Since 2006 the likes of Adele, Mumford & Sons, Haim, Jake Bugg, Tini Tempah, The Maccabees, Foals, Friendly Fires, Laura Marling, Bon Iver, Vampire Weekend, Kasabian, White Denim, The xx, Chase & Status, Warpaint, Ed Sheeran, [Alt-J] and Disclosure have performed at the festival. This year expect to see the likes of Kaiser Chiefs (playing a secret show), Kelis, Wild Beasts, Little Dragon, Dry The River, Future Islands, Clean Bandit and Jon Hopkins performing, spanning almost all genres of music known to man. Just as importantly the Great Escape presents a fantastic amount of new and up and coming acts, all of whom are considered 'ready' to take a further step up.
Hard to believe but Orbital have been at it for 25 years now, the Hartnoll brothers creating some of the most distinctive, beautiful, intelligent and commercially popular dance music of all time. From their breakthrough hit and industry game changer, Chime in 1990, to last year’s excellent ‘comeback’ album ‘Wonky’, Paul and Phil Hartnoll have always been about much more than four-to-the-floor beats, instead always seeing themselves as a band, often using guest singers such as Alison Goldfrapp, in making interesting, intelligent, evocative music, that could be both danced to and listened to and performed live, often improvised. Aided by their distinctive headlights which act as a focal point for their live performance, Orbital took dance to the mainstream, in part due to their legendary 1994 Glastonbury show which was also beamed on television.
Not only that, but almost uniquely amongst mainstream electronic dance acts, they tackled political, environmental and social issues, such as in ‘Halcyon’ (based on their mother’s addiction to tranquillisers), ‘The Girl With the Sun in Her Head’ (recorded entirely using electricity provided by Greenpeace’s mobile solar power generator) and a four minute remix ‘Criminal Justice Bill’ remix of ‘Are We Here?’ which appropriately enough consisted of four minutes of silence in response to the draconian bill that would attempt to repress so-called repetitive beats.
Their story is a brilliant one and I met up with Paul at his Brighton based studio to talk mainly about those early days, but also about the here and now and Brighton of course…
Looking for a heartening success story in the fickle world of rock and pop? Thinking it’s all about instant impressions and catering for nano-second attention spans in this era of reality, instant success TV? Then look no further than Mike Rosenberg aka Passenger, who after years of patiently chipping away has suddenly seen all that perseverance, talent and passion pay off.
The whole idea of Gypsy Disco is that we want to bring people together and to make it something more than just a club night. We hope to create a sort of playground where people can explore and interact with the night as well as with people which is why we have created a variety of structures and areas for our audience members to immerse themselves with. Within the collective we emphasise a policy of ‘no ego’ whereby we are all the same regardless of what role we have, this we hope is then transgressed within the event as we show we don’t take ourselves too seriously which I think is important to make everyone feel comfortable and relaxed.
For those who have been living in the Brighton area this last decade you’ll probably have come across British Sea Power, a quintessential INDIE band in the old fashioned sense of the word, purveyors of non-mainstream guitar based music that generally paddles its own canoe, never quite following the diktats of current fashion or flavours; where virtuosity is not a pre-requisite of authenticity or quality. Alternative is perhaps an appropriate single word summation of this band who have dabbled successfully in the sub-genres of punk, lo-fi, noise pop, post-rock and melodic rock whilst managing to stay within the general confines of what we know as pop and rock.