The noise levels surrounding this gig is the only thing that comes close to the volume on the night. Amongst a certain scene, the only question on anyone’s lips is, “Are you going to Pigs?” Over and over. It’s no surprise that a show at The Haunt early next year has already been announced, such is the anticipation tonight.
Voodoo and the Crypts have been impressing us for a while now, with excellent live shows across the city, and three excellent singles detailing their baggy outlook on indie-rock. Their show at Sticky Mike’s Frog Bar, their biggest ever headline show, was just another step in the rise of the band and felt like a genuinely special occasion with an excellent line-up and a beautiful cover from the band.
It’s been quite the year for Jade Bird. The unmistakeable noise of hype has surrounded the diminutive singer from Hexham all through 2018, boosted initially by word-of-mouth before reaching fever pitch after an appearance on Later With Jools and a multitude of festival slots. Packing a Brighton venue for the second time in a year, The Haunt was a sizeable upgrade tonight from March’s Green Door Store show. With her debut album wrapped only days before and being prepped for a 2019 release, tonight was a chance to prove that the initial excitement is now capable of bearing real fruit.
I have a friend who, over the last ten years or so, asks me at least once a year, “Have you seen Afro Celt Sound System live?” to which I answer “no” and he tells me I really must. So when I saw they were playing the Dome it seemed like a good chance to see what he was on about. The band do not have a support as they play from 8pm till they are kicked off stage with a short 20 minute break in the middle. So for the first set they come on to the stage with a droney sound playing and kick things off with an African female singing solo before the rest of the band join in. More and more layers are added until it’s in full swing with all the ten members playing an eclectic mix of instruments and sounds.
Four years ago, Courtney Barnett turned up for The Great Escape, playing well past midnight. For me, it was the highlight of the festival, her infectious exuberance matched by the quality of songs at her disposal. Then, although very much the singing frontwoman, she was on the left of the stage, part of a threesome that literally rocked. Tonight, she’s very much centre stage, an acknowledgment that, even though she has the same bassist and drummer (along with fourth member Katie Harkin), she is now the star of the show.
Despite her public persona that comes across as a little bit frustrated and disinterested with the attention she’s been getting these last few years, on stage she has no qualms. It’s the music after all, and more than most indie stars, she really does seem to revel in playing in front of people.
As time goes by, its becoming easy to forget just how bloody massive Britpop was before it all imploded as dramatically as it burst into the mainstream. Not just in the music charts, which were dominated by it in all its various strands from Blur to Robbie, Union Jack flags printed on both dresses and guitars, its stars adorning the front pages and the gossip pages. Sleeper were right in the thick of it, Louise Wener an inescapable presence in the charts alongside her band (affectionately known at the time as the ‘Sleeperblokes’). Last year saw them return to the fray for the first time in 22 years with a show at The Haunt that showed that none of the affection that they were held in had faded. That lit the spark that sees them return as a touring band proper, with new songs to boot. On tonight’s showing, they won’t be going away again for a good while yet.
Arriving in Brighton on the last leg of a victory lap around the UK following the critical acclaim to their long-awaited debut, You Say I’m Too Much, I Say You’re Not Enough, Estrons provoked absolute scenes at the Green Door Store. Like all of the best things in life, it is jagged, ragged and wild. Headlining a dream line-up alongside Lucia and Berries, it acts as the perfect gateway into the weekend.
Canadian Rose Cousins has the voice of an angel, so the Unitarian Church is the perfect venue for her. Her vocal fills the room as does her personality. Between songs she holds conversation comfortably about herself and her music. She also asks where she can get the best Full English breakfast in Brighton before inviting the audience to ask questions in return. Someone wants to know who inspires her musically? The reply is, not surprisingly, Patty Griffin and Joni Mitchell “and many others”. The likeness is uncanny due to Rose’s own emotional honesty and vulnerability and soaring use of melody – using piano, then guitar, then ukulele to accompany her traditional songwriting. Borrowing from the best of America’s folk/country sirens, she brings a reverence to the Unitarian Church but also a homeliness. She talks about her choice not to have kids and laughs at the delighted shouts that acknowledge this announcement, then encourages a backing choir from the crowd and graciously thanks tonight’s headliner by admiring his “strong head of hair”. Playing many tracks from her 2017 Grammy-nominated album Natural Conclusion, you can see her in her own show on 1st April next year at The Greys. It will be worth the wait.
Just over a year ago, we witnessed a band at Komedia Studio Bar that truly captured the imaginations of teenage girls and drove them into a state of euphoria. It’s fitting, then, that a year on, a band that supported them on tour has accomplished exactly the same thing in exactly the same venue. The band is Uxbridge quartet Bloxx, who drove their majority teenage girl audience at Komedia Studio Bar into a state of despair with their dizzying take on garage rock, indie-rock and indie-pop. With an extremely dedicated crowd loving every minute and a ridiculously impressive set bursting with brilliant singles, Bloxx looked and sounded every bit the band of the moment.
There is hardly anyone in the room to watch opening act, Brighton-based duo, Instant Bin. With foundations firmly in punk-rock, they deliver a short, fast-paced set that seems to please the few people watching. Drummer, Liv, and bassist, Harry, seem sweet and what they lack in musical diversity they make up for with a natural ease with the audience that makes them memorable. Most of their songs are between one and two minutes long and, while they do seem a little under-rehearsed, the nature of what the band are doing means it doesn’t really matter that much. Tracks like ‘Eggshells’ and ‘Bin Day’ champion shouty vocals and chugging rhythm so if that’s your sort of thing, you could do worse than check out Instant Bin next time they play.