Whether you’re a fan of the band’s music or just looking for a brilliant time, Skindred continue to tick all the boxes
With a fusion of wild shrieking psych-tinged guitars, as well as a laddish swagger you’d expect from a Madchester band, Husky Loops are almost crafting an entirely new genre for themselves.
A performer at ease with his audience, Ben Ottewell is truly superb, frankly far superior live than on record, if that can be believed.
A pop band steeped in the modernist pop of Sampha and The xx with a more heavenly slant, the duo performed an elegant, euphoric and intrinsic take on electronica.
You can’t deny that record label Heist or Hit, home to Her’s, Honey Moon and Pizzagirl, doesn’t have a type when it signs its acts. Those three in particular make dreamy, soothing indie-pop music and, in the live sphere, are terrifically funny and entertaining. Pizzagirl, also known as Liam Brown, displayed this superbly with his headline set at The Hope & Ruin. Made up of brilliant pop songs, a superb sense of occasion and amazing stage presence, Pizzagirl is wickedly talented and an excellent live performer.
Having formed in 2010, Years & Years have become a British electro-pop sensation, featuring on tracks with the likes of Clean Bandit and releasing two highly-acclaimed albums, in their debut Communion and recent sophomore album Palo Santo.
Shoegaze legends Ride aren’t known as an acoustic band. Their huge, melodic noise rides waves of ethereal vocals and guitars. They did (and still) do it well, and that was the reason people got into them in the first place. It may seem strange for a band to want to do this. Yet, like Nirvana, who helped pave the way for stripping things back via their legendary MTV Unplugged sessions of the early 90s, it is perhaps surprising how effective it can be. Especially if it’s in the right setting.
Ryley Walker, the singer and songwriter from Rockford, Illinois visited us in Brighton and Hove as part of his 2018 international tour, promoting his latest recording. A homage to The Lillywhite Sessions (a scrapped album by the Dave Mathews Band), this album uses the same name. Walker manages to put his own dynamic and modern twist on the record that inspired it, making it a very interesting and entertaining listen. Fans had a lot of these new track to look forward to on the night of the show at the marvellous Old Market in Hove.
Opening with a brass rendition of Skepta’s grime-anthem, ‘Shutdown’, was perhaps the perfect way to introduce Ezra Collective and their sound and attitude to a fresh face of hip-shakers. It’s grimey, playful, very London-centric, and of course the buzzword: it’s jazz. In fact, they are trailblazers in the scene, as it was only a few weeks ago that keys wizard, Joe Armon Jones, played to a sold out crowd upstairs in the very same venue courtesy of Mr Bongo’s new Jazz Club night.
The demise of Palma Violets was a sad thing, indeed, both indicating the difficulty in keeping an indie band going and how hard it is to make the next step after minor success. Despite the sadness, however, there’s reason to be positive. While Chilli Jesson has created Crewel Intentions, who we witnessed supporting Johnny Marr early last month and called, “A heady, intoxicating mix of Nick Cave and Echo & The Bunnymen”, the remaining members – Sam Fryer, Pete Mayhew and Will Doyle – have created Gently Tender. Also recruiting The Big Moon’s Celia Archer and guitarist Adam Brown, the band’s first trip to Brighton was a positive and upbeat one, showcasing that Palma Violets’ collapse may be a blessing in disguise after all.