Back in January, Shame came out of the blocks fast with their stunning debut album Songs of Praise. Acclaimed across the board, their post-adolescent rage is infused with wit, a shed load of melody, and a fair degree of modesty. They didn't expect all this, but they may as well as take it as far as it goes. Following stints in Europe and the US they have just embarked on what they are now calling the 'Ibuprofen Tour'. Brightonsfinest spoke with guitarist Eddie Green about how a pub became the focus of their development, fighting at The Great Escape, and the stunning reaction to their music.
Demob Happy are back – and my word they are back! The have brought with them Holy Doom, their sophomoric effort which features more of the sleaze, the swagger, the fuzz and the hooks that we’ve come to adore. The Brighton via Newcastle act have been together ten years now and it feels like they have just got into their stride with an album that is sure to be high up on our Best Of Year list. A lot has changed for these dirty rockers since 2015 when their seminal debut LP, Dream Soda, came out. The main thing being they have gone from a quartet to a trio. We questioned Matthew Marcantonio, when in Norway on a European tour with Frank Carter & The Rattlesnakes, about their journey to this new album.
Hinds’ journey of conquering the world is still on course, turbo charged by the release of their second album I Don’t Run. The infectious attitude, personality and appeal of Hinds is a difficult thing not to get sucked up in, especially when you are making brilliant fun music to go alongside it. The success of the Madrid-based quartet is something we have never seen from a Spanish band, so we questioned guitarist and vocalist Ana Perrote about this crazy dream they are living.
Over two decades in and Belle & Sebastian don’t look like letting up any time soon. Their latest record, How to Solve Our Human Problems, split into three EPs, showcases the best attributes of the Scottish six-piece in a delightful 15 song piece. From the solemn ‘Poor Boy’ to the majestic ‘The Same Star’, they haven’t lost that pop gravitas that made everyone fall in love with them all that time ago.
They played the Brighton Dome on Thursday 15th March in a show that we said made fans feel involved in an evening that covered each area of the band’s discography. Before the show, Brightonsfinest caught up with band’s multi-instrumentalist Sarah Martin for a chat about the new project, the chemistry the band has with their fans, and the legacy of the band.
Named after the Australian marsupial, but born at the Liverpool Institute of Performing Arts, The Wombat are one of the most successful British bands of the last decade or so. Matthew Murphy (‘Murf’), Tord Overland-Knudsen, and Dan Haggis have just released their fourth album, Beautiful People Will Ruin Your Life, their third consecutive top five album, and it’s full of their trademark bouncy indie-rock, causing many a grown person to leap around like a 12-year-old. Murf took some time out to chat with Brightonsfinest.
Sunday night saw Brighton’s Of Empires return for a very special homecoming performance at The Prince Albert where they showcased their brand-new double A-side single ‘Waist Up in Gold/Gunslingers’. The gig was a delight, exhibiting just how fantastic a live band the four-piece are with their reverb-drenched desert-rock sounding fresh and exciting in the tiny venue. You can read our full review here.
The band seem to have a new lease of life and, after a few years of playing excellent shows up and down the country, look set to explode into the broader sphere. I sat down with vocalist Jack Fletcher and lead guitarist Matthew Berry to talk about the hardships of being an unsigned band, their new music and streaming music.
Written entirely in Cornish, Gwenno’s new album Le Kov is an exploration of the individual and collective subconscious, the myths and drolls of Cornwall, and the survival of Britain’s lesser known Brythonic language. As one of the language’s few fluent speakers, Gwenno felt a duty to make her second album entirely in Cornish: to create a document of a living language, explore her identity and the endless creative possibilities of a tongue that has a very small surviving artistic output, despite having been around for at least 15 centuries.
Not only can she speak fluent Cornish, but also fluent Welsh and English, making a very rare thing indeed. Some will remember her as a member of the polka-dot dress wearing The Pipettes, the Brighton formed, kitsch meets 60s-influenced indie-pop band who were making some waves at the tail end of the last decade.
She is certainly an interesting artist, and she took some time out to have a chat with an intrigued Brightonsfinest.
The Scottish indie-rockers made a big splash back in 2004 when they were spearheading the so-called new wave of post-punk revival, heavily-influenced by the likes of Gang of Four. Still signed to Domino, and following the release of their collaboration with Sparks, FFS, they are back with their first studio album since 2013's Right Thoughts, Right Words, Right Action. There are new members, a new sound, and a new lease of life for this durable Glasgow-formed outfit who are made for the live stage. Brightonsfinest caught up with both frontman Alex Kapranos and new kid Julian Corrie.
Public Access T.V. are one of the most polished and finessed bands on the scene at the moment. Their first record, Never Enough, garnered comparisons to The Strokes for its hook-heavy, jovial take on indie guitar music, but they’ve certainly got the depth and the tunes to not just be a hand me down Strokes rip-off. Filled with great indie-pop tunes, as well as a juvenile sense of fun and freedom, it was an exciting record that lovingly looked back to early 2000s American rock.
Their second record, Street Safari, out 23rd February, has seen them move in a different direction. Sounding more like Talking Heads, David Bowie and Television, it’s a funk-laden record with more than enough disco beats to soundtrack your Saturday night out. Brightonsfinest spoke to frontman John Eatherly about the new record, touring the UK and his vast array of influences – including the life-changing first listen to Television’s Marquee Moon and how he was influenced by Mick Jones’ Big Audio Dynamite without even listening to them!
The 52nd Brighton Festival, the largest of its kind in the UK, is headed up this year by Guest Artistic Director David Shrigley. A relative unknown, Shrigley operates in the world of the visual arts, as a lively, sly, sometimes subversive illustrator, writer, film-maker, conceptualist and sculptor. You may have seen his Really Good sculpture (a massive sculpture of a thumbs up, or a 'like'!) on Trafalgar Square's Fourth Plinth. Or his 2013 Turner Prize-nominated installation David Shrigley: Brain Activity. Or perhaps his headless stuffed ostrich, or his cast of a single tooth (Brass Tooth) which he then created multiple editions of, and sold at £1,200 a pop. He's also a big music fan, and has worked with many artists, including making videos for both Blur and Bonnie 'Prince' Billy, designing record sleeves, and collaborating with musicians such as David Byrne and Grizzly Bear for his spoken word project Worried Noodles. Brightonsfinest got the chance to catch up with him at this year's festival launch.