Boy Azooga – Interview 2018

Davey Newington is Boy Azooga, who released his debut album this year in the form of 1, 2, Kung Fu! It's a joyous ride, full of melody and pop nous, songs such as 'Loner Boogie', 'Jerry' and 'Face Behind Her Cigarette' swinging effortlessly from disco-rock to psychedelia. Already beavering away at the follow-up, he's out on tour this month. He took some time out to have a chat about The Great Escape, Brian Wilson, Hangover Square, and how he hooked up with the legendary Jeff Barratt and his Heavenly Records label.

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Novo Amor – Interview 2018

In the internet age, there are no boundaries to your creativity, and the ability to showcase your art beyond friends and family. This is the great musical revolution we are currently witnessing. Largely gone are the record label gatekeepers, the highly controlled and limited airwaves, and the weekly inkies, who back in the day could knock someone down as hard as they could give a helping hand. If you are willing and able, the playing field is now more even than ever. However, as always, cream often does rise to the top. As Tom Robinson, a champion of new music on the radio, said to Brightonsfinest recently, "You only have to put something on YouTube that is brilliant, and the word will spread. You don't have to go through the bloody gatekeepers anymore.”

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Gazelle Twin – Interview 2018

Elizabeth Bernholz (nee Walling) is an extraordinary electronic composer, musician, producer and performer who trades under the name of Gazelle Twin. Forged in a rural idyll in Middle-England and four years in the making (amidst life-changing events, including a move away from Brighton), Pastoral is the first major release by the artist since her 2014 album Unflesh. It's a fascism-infused hellscape, this time set in deepest Old England. Jeff Hemmings asked her about her artistic vision, child rearing, and her public vs private persona.

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Her’s – Interview 2018

What's in a name? It's the cause of much consternation amongst those who have to carry the burden, the weight of it. Should it be meaningful, and relevant to the sound, or perhaps it should have no obvious ties? Maybe it just sounds good, and looks just fine in the eyes and ears of the beholder. Whatever the case may be, all bands have to have a name, and over the years I've spoken to countless acts who hate what they are called, but are burdened with it for ever. Not so with Her's who, although completely aware that the apostrophe is “massively incorrect", sound quite content with the ambiguity of it.

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Tom Robinson – Interview 2018

A familiar name to those who listen to BBC Radio 6, Tom Robinson been on the airwaves for over 30 years, starting with The World Service in 1986. He currently presents his own show on 6 Music on Saturdays, and on Sundays as Now Playing @6Music, a show that plays songs based on a certain theme and listeners' input. He also has a weekly show which is focussed on music by local bands from BBC Introducing.

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Lily Moore – Interview 2018

Being the daughter of a legendary musician usually has it upsides. Doors can unexpectedly swing open, interest can be piqued. However, as well as those who rode off the coattails of a famous parent, there are countless examples of children of rock offspring who have achieved success in their own right, right back to early rock'n'roll. Joe and Sam Brown, Hank and Hank Junior Williams, Tim and Jeff Buckley, Martin and Eliza Carthy, Don and Neneh Cherry, Bob and Ziggy Marley, and Ravi Shankar and Norah Jones, to name but a few. However, it's a path strewn with pitfalls, and unfair nepotism. Why the hell would you want to do what your parents did? Wouldn't you rather forge your own path?

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Kurt Vile – Interview 2018

It's been quite the journey for the guitarist and singer-songwriter Kurt Vile. Having that distinctive (and real) name helps, but that will only take you so far. A dedication to your craft, and working with like-minded souls is most important, and Vile has that in spades. He knew early on that music is what he wanted to do. From DIY recording and releasing in the early part of the century, to forming The War on Drugs with long-time friend and collaborator Adam Granduciel, Vile signed with the highly-esteemed American independent record label Matador in 2009 and has remained with them ever since, combining work with The War on Drugs, a high profile collaboration with Courtney Barnett, and his own music, in forging an impressively productive career, whilst at the same time trying to be a dad to his two young daughters.

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Anna Calvi – Interview 2018

"It was at the Grey Horse in Kingston," says Anna Calvi about her first public performance. "I remember I played 'Purple Haze' by Jimi Hendrix. I wasn't singing, but I remember it gave me such a buzz. I think it ups the stakes as a performer when you're playing in front of people. You're wanting to take more risks, and you want to push yourself further. I think I had that from the very first time I played on stage."

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Teleman – Interview 2018

London’s Teleman have already set the bar high with the release of three singles so far this year, ‘Submarine Life’, ‘Cactus’, and ‘Song For A Seagull’, from their widely anticipated third studio album Family of Aliens, released via label-home Moshi Moshi. The foursome flaunting their new-found harmonious marriage of beguiling pop sensibility and pulsating electronic undertones, allied to sharp lyricism, buoyant guitars and instantaneous melodies, and coated by Tom Sanders’ remarkable vocals.

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Tom Odell – Interview 2018

There are some, whose lack of generosity of spirit is topped up by industrial strength bile, who simply cannot abide Tom Odell, the singer/songwriter. Back in 2013, the NME notoriously awarded Odell's debut album no stars out of ten. That's right, ZERO. In the review, the NME described the then 22-year-old singer as a “Poor, misguided wannabe who’s fallen into the hands of the music industry equivalent of Hungarian sex traffickers”. The reviewer added, “I wish I could say there’s a place in Hell reserved for Tom Odell. There’s not. Just loads more Brits. He’ll be all over 2013 like a virulent dose of musical syphilis”.

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