Started in 2013, and billed as the first outdoor jazz festival for over 20 years, Love Supreme has always been about combining contemporary and old school jazz flavours, with crowd pleasing pop, along with a little bit of soul, funk, hip hop, electronica, and r’n’b. And while it took a few years to really find its feet, the festival has since become relatively stable and established, albeit within a toxic atmosphere of austerity and Brexit, the main socio-economic-political signposts of our times, pulling negatively at both the economy, and spending power. But, in the main, people know roughly what to expect, and that is a high quality, ‘mature’ music programme, in a safe, none-too-cluttered child/teen friendly space. Although camping is part and parcel of the experience for many, Love Supreme is definitely more Latitude, than Glastonbury, the hedonism toned down.
Formed around the chemistry of siblings and dual songwriters Jack and Lily Wolter, Brighton based Penelope Isles are a classic four piece of guitars, drums and bass, with some keys thrown in to the mix. Debut album Until the Tide Creeps In is an album informed by shared experience. Raised on the Isle of Man, Jack moved away to study art at university at 19, when Lily was 13.
As an early mentor of Jesca Hoop, Tom Waits described her music as, “like a four-sided coin. She is an old soul, like a black pearl, a good witch or a red moon. Her music is like going swimming in a lake at night”.
“The bigger the stage, the better it is. For me, as a vocalist, I see the stage as a playground. So, the bigger the stage, the more fun I have.” So says Anastasia ‘Stars’ Walker.
With an apparent administrative cock up with dates to deal with, The Great Escape was a week earlier than normal, very soon after Easter and the Labour Day Bank Holiday. Would this have an affect? Would there be less sun and less people? Well, when you’re living in a highly changeable climate, but with the dark clouds of Brexit looming larger than ever, you’d be forgiven in thinking the party might not get started.
Unusual band, the Flamingods. From Bahrain, and made up of Kamal Rasool, Charles Prest, Karthik Poduval, and Sam Rowe, for many years they had been beset by visa issues, to the extent that they could hardly make music together as a band, instead getting together for the odd tour and gig, whilst exchanging files over the internet in concocting their heady fusion of upbeat middle eastern psychedelia. Regular visitors to Brighton – they recently performed at Mutations – they have a fourth album Levitation, the first one they have recorded fully as a band, and will be here for this year’s The Great Escape. Kamal took some time out from a band rehearsal to chat about Bahrain, the new album, and being an Exceptional Talent…
Starting life in the late 80s as a record shop in London, selling super rare Latin music, Mr Bongo eventually became the Brighton-based label and publisher for some of the finest selections in Brazilian, Latin, African, Jazz, Soul, Reggae and Psychedelic flavours. With a new shop in the heart of the North Laine, and a 30th anniversary celebration gig as part of Brighton Festival, Jeff Hemmings visited the offices/shop and met up with Graham Luckhurst, to talk all things Mr Bongo.
The Australian singer songwriter Stella Donnelly has juts released her debut album Beware of the Dogs, following a number of singles and EPs, including the much talked about Thrush Metal! Part of a fantastic and growing Australian scene that includes the likes of Courtney Barnett and Cub Sport, Donnelly’s straight-to-the-point music is full of humour alongside tough topics such as racism and abuse. Here she talks to Jeff Hemmings about the album, her Great Escape shows last year, Australian politics and being half-Welsh
Amber Bain aka The Japanese House, has just released her debut album, Good At Falling, on The 1975’s label, Dirty Hit. It sees her face up to fears in tracks that lay her personal life and heartbreak bare, especially her relationship with fellow songwriter and label mate Marika Hackman. Co-produced by Bon Iver producer BJ Burton, it follows up a set of stellar EPs, co-produced by George Daniel from The 1975. She talks to Jeff Hemmings about the emotional turbulence involved in the making of the album, her inspirations, The 1975, and why name The Japanese House.
Whilst still at school twin brothers George and Jack Barnett formed These New Puritans in 2006, along with Thomas Hein. Electronica, synth pop, and orchestral music informs their dark, panoramic music, and has resulted in four albums, the most recent album Inside the Rose recorded largely in Berlin, in an old studio which was used by the communist East Germans for propaganda purposes. Berlin is where Jack has made his home, and he took some time from band rehearsals to chat with Jeff Hemmings about the album, the studio, their music making process, the forthcoming tour, and comparisons with Bros!