Finding their roots way back in 1992, Stereophonics have become a household name which has truly stood the test of time. In an age of one hit bands and overnight fame, Stereophonics have managed to maintain their celebrity status and continue to acts as a massive name within the rock field. Now back with their tenth studio album, Scream Above The Sounds, we can see if the iron is still hot for these Welsh rock icons.

Straight away, the level of reminiscent nostalgia to this record becomes its key selling point. The entire album focuses on bringing the older Stereophonics sound into 2017 and does so through a refinement of classic rock ‘n’ roll with singer Kelly Jones’ unmistakable tones. On the whole, each track does meet this goal well and brings with it a decent level of catchiness and enticement. Opening track and single ‘Caught By The Wind’ is a dextrously written ballad which blasts big instrumentals, bigger vocals and an infectious catch that I’d say almost rivals that of the classic ‘Dakota’.

Despite similarities to the production side of things holding such a classic feel, the material all feels fresh and new, whilst taking some rather surprising comparative influences. ‘What’s All The Fuss About?’ feels like something that wouldn't go amiss on a Radiohead record, and ‘Chances Are’ could be somewhat mistaken as a new wave track from Catfish And The Bottlemen. Both are great tracks that may show similarities to the other bands, however, not to the extent that it disrupts the listen.

As the play through continues, some flaws do begin to show their faces. The album’s middle range definitely slacks and some numbers do feel almost grey in character. It’s as though Stereophonics have adhered to every unspoken rule about rock music, four part progressions at a standard beat which don’t really lead anywhere. The passion simply isn't there at times, jarring the listen. ‘Taken A Tumble’ is a prime example, for the majority of the track we’re left with an uncharismatic fuzz, four power chords and palm mutes, not something you’d expect from a group who’ve been around for over two decades.

This being said, there are other times when the record is carried by nothing but pure emotion and strong narrative. ‘Before Anyone Knew Our Name’ is a definite saving grace to the listen which not only breaks up the pacing in a delightful manner, but offers what feels like the first genuine insight into Kelly’s mind. The track’s stunning tale of Kelly reminiscing of the “good old days” and the death of fellow bandmate Stuart Cable, is incredibly raw and moving. The song truly puts you in the scenes described and you feel such a strong connection with each word that it easily outweighs the album’s other faults. I could think of no better tribute to a friend who has passed, this is one I can see resonating well with many.

Scream Above The Sounds is by no means one of the more revolutionary releases of the year, but it certainly has the potential to put Stereophonics back on the map in today’s climate. The piece showcases yet another chapter in the band’s career and does make for an enjoyable listen from cover to cover which has achieved it’s aims of capturing a retro rock sound in a modern context brilliantly. This album would be greatly suited as more of a background filler or travelling album and has still shown that Stereophonics are not a washed up name. The Welsh group still uphold a key pillar in rock history and have demonstrated once again that not all bands are one hit wonders who fizzle out of the limelight.

Ben Walker

Website: stereophonics.com
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